Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries liszt nuages gris score pdf anticipated many 20th-century ideas and trends.
Liszt’s father played the piano, violin, cello and guitar. At age six, Franz began listening attentively to his father’s piano playing. Adam began teaching him the piano at age seven, and Franz began composing in an elementary manner when he was eight. October and November 1820 at age 9. After the concerts, a group of wealthy sponsors offered to finance Franz’s musical education in Vienna.
Liszt’s public debut in Vienna on December 1, 1822, at a concert at the “Landständischer Saal”, was a great success. In spring 1823, when his one-year leave of absence came to an end, Adam Liszt asked Prince Esterházy in vain for two more years. Adam Liszt therefore took his leave of the Prince’s services. At the end of April 1823, the family returned to Hungary for the last time. At the end of May 1823, the family went to Vienna again. Liszt’s inclusion in the Diabelli project—he was described in it as “an 11 year old boy, born in Hungary”—was almost certainly at the instigation of Czerny, his teacher and also a participant.
Liszt was the only child composer in the anthology. To earn money, Liszt gave lessons in piano playing and composition, often from early morning until late at night. His students were scattered across the city and he often had to cover long distances. Because of this, he kept uncertain hours and also took up smoking and drinking—all habits he would continue throughout his life. Her father, however, insisted that the affair be broken off.
Liszt fell very ill, to the extent that an obituary notice was printed in a Paris newspaper, and he underwent a long period of religious doubts and pessimism. He again stated a wish to join the Church but was dissuaded this time by his mother. Liszt’s taste for musical romanticism. Equally important for Liszt was Urhan’s earnest championship of Schubert, which may have stimulated his own lifelong devotion to that composer’s music. He composed practically nothing in these years.
1830 inspired him to sketch a Revolutionary Symphony based on the events of the “three glorious days,” and he took a greater interest in events surrounding him. Berlioz’s music made a strong impression on Liszt, especially later when he was writing for orchestra. He also inherited from Berlioz the diabolic quality of many of his works. His playing inspired Liszt to become a great virtuoso. Liszt became determined to become as great a virtuoso on the piano as Paganini was on the violin. Paris in the 1830s had become the nexus for pianistic activities, with dozens of pianists dedicated to perfection at the keyboard.
While it has since been referred to the “flying trapeze” school of piano playing, this generation also solved some of the most intractable problems of piano technique, raising the general level of performance to previously unimagined heights. Liszt’s strength and ability to stand out in this company was in mastering all the aspects of piano technique cultivated singly and assiduously by his rivals. Berlioz, whose symphony remained unknown and unpublished. Liszt bore the expense of publishing the transcription himself and played it many times to help popularise the original score. Liszt’s poetic and romantic side began to develop. Under the influence of both, Liszt’s creative output exploded.
Liszt’s daughter with the countess, Blandine, was born there on December 18. In these essays, he argued for the raising of the artist from the status of a servant to a respected member of the community. On May 9, 1839, Liszt’s and the countess’s only son, Daniel, was born, but that autumn relations between them became strained. The countess returned to Paris with the children, while Liszt gave six concerts in Vienna, then toured Hungary.
Rhine in summers 1841 and 1843. In spring 1844 the couple finally separated. This was Liszt’s most brilliant period as a concert pianist. Honours were showered on him and he met with adulation wherever he went.